From: contact@whoisleonardpeltier.info
Date: Tue, November 24, 2009
The Red Nation Film Festival has chosen Leonard Peltier to receive its
first annual Humanitarian Award for his lifelong commitment to indigenous
and human rights, as well as his leadership in efforts to alleviate
poverty and domestic abuse among Native peoples. As a political prisoner
for nearly 34 years, Peltier has helped focus world attention on
government repression of Native resistance throughout the Americas, while
the United States continues to make an example out of him of the
consequences of seeking freedom. Unable to accept the award in person,
Leonard wrote the following acceptance speech for award:
"I am very humbled to have been honored with the first-ever Red Nation
Humanitarian Award. I wish the Red Nation Film Festival success in all its
endeavors, as I believe your event benefits Indian people everywhere. With
your continued support, I hope that I will one day have the freedom to
thank you in person.
Film is a powerful medium with the potential to help change one's
consciousness, which can in turn change the world. Film can transport the
viewers to places and situations they might never encounter, from the
mountains and jungles of Peru and Bolivia, to the prison cells of Abu
Ghraib and Lewisburg, the federal penitentiary where I am held in limbo as
they transform the facility into a special site for problematic
prisoners. Although I have been what they call a model prisoner, I am
still here because I was jumped and beaten by other inmates when I was
transferred to another prison. I am here in spite of the fact that I was
an ideal candidate for parole by any objective standard free of politics.
But because of my beliefs, and the FBI's fears of exposure of their crimes
against the people of Pine Ridge and the American Indian Movement, the
federal government is determined to see to it that I die in prison. So
here I sit in a 3 foot by 6 foot cell.
The fact that you are here today at a Native film festival shows how far
we have come from the days when Hollywood Indians were portrayed by white
actors as one-dimensional savages standing in the way of civilization.
The fact that we are today not only acting in films but also directing and
producing shows how far we have in the last forty years since the American
Indian Movement arose from the ashes of the Termination Era and demanded
political sovereignty and cultural respect .
But how far have we really come? We are still subject on the reservations
to the jurisdiction of the colonial police force known as the FBI, an
agency which ignores serious crimes such as sexual assault while
persecuting those who would stand up for true sovereignty and human
rights. On other reservations, state police play the same role, though
their jurisdiction is a legacy of the discredited termination era. Last
week, President Obama held what was billed as a historic summit meeting
with hundreds of tribal officials in attendance, but what was really
accomplished? My defense committee sent faxes to more than 500 reservation
chairman asking them to speak out on my behalf on this unique occasion. A
few said they would, but when the opportunity presented itself they were
too polite to speak out to a president who spoke of dissolving tribes in
his inauguration speech.
It is the same in movies. While we now have realistic films dealing with
poverty, alcoholism, and related social problems on the rez, how many deal
with the root cause—colonial oppression which extinguishes hope for the
future? I ask you filmmakers to use this powerful medium to help create
visions for the future and to put our many problems in an accurate
context. I plead with you, if you can't get me out of prison and I am
destined to die here, to make my sacrifice worth it in terms of creating a
more sustainable future for our children and future generations. "
In the Spirit of Crazy Horse,
Leonard Peltier
1 comment:
What a load of crap! This guy has Anna mae Aquash raped & killed, kills 2 FBI agents & now he is a martyr? This would be funny if there weren't dead people that have paid for his little circus. The movies don't show the truth and neither does the fictional junk from Peliter's friend. The Red Nation apparently is about destroying their own in an effort to funnel money to a few criminals.
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